To accompany the piece I recently wrote for The Wire on the vanguarda paulista movement is this playlist of tracks by the artists involved, including songs by Arrigo Barnabé, Itamar Assumpção, Grupo Rumo, Patife Band, Eliete Negreiros, Tetê Espíndola and a few others. There’s some really quite sublime music there.
Very happy that my article on the vanguarda paulista is in this month’s edition of The Wire. The vanguarda paulista was a movement of musicians, promoters and record labels that emerged at the tail end of the 1970s in São Paulo, and maintained some sense of a movement until the mid-80s. Despite the fact that all of the artists had very different sounds they were all interested in taking ‘popular’ Brazilian music into new places, and in the process, they formed the first major independent musical movements in Brazil.
For the piece I spoke to Arrigo Barnabé, Luiz Tatit (of Grupo Rumo), Luiz Chagas and Paulo Lepetit (of Itamar Assumpção’s band), Simone Sou (who also played with Itamar Assumpção), Paulo Barnabé (of Patife Band), Wilson Souto Jr and Riba de Castro. I had also hoped to speak with Wandi Doratiotto, Ná Ozzetti, Tetê Espíndola and Suzana Salles, but unfortunately they were all too busy at the time to get involved.
Every now and then I like to write something that’s not about Latin American music. Hence, why I put together this piece for The Vinyl Factory on 10 of the finest P-Funk records to get you tuned into the collective mind-bending wavelength of Clinton, Collins, Worrell, Hazel & co.
From 16th until 29th August this year I’ll be leading a musical tour of Colombia for Songlines Music Travel. This is a tour I led last year at last minute notice (and I mean last minute notice! I got asked on the Friday, got told the itinerary on Saturday and then flew from the UK on Sunday morning!). However, this time around I’ve had some input in the itinerary itself and we’ve got an amazing trip planned. As well as visiting Bogotá, Cartagena and Medellín, as we did last year, this time we’re also going to Festival Petronio Álvarez in Cali – the biggest Afro-Latin festival in the whole of Latin America and a great chance to see so many different Afro-Colombian styles of music – as well as Barranquilla where we will get a taste of carnival and see cumbia in its most folkloric form. It’s going to be a really special trip, and I’m very excited to be leading it.
For more information on the trip, including the itinerary go to the Master Travel website. If you’re interested in finding out more about Colombian music and culture then this is your ticket!
Last year I put together a guide to finding good music in Rio de Janeiro for American Express, with recommendations for finding the best samba, for finding dance lessons, alternative rock, dance music, and so much more in Rio.
More than happy to have written the cover story for the latest edition of Huck magazine (issue #58). For the article I interviewed French photographer Antoine Bruy about his Scrublands photo essay.
Scrublands was an idea of Bruy’s to go and stay with people who have chosen to live off-grid, often leaving behind decent jobs and the city, in search of a more peaceful and self-fulfilling lifestyle. To do this, intriguingly he used WWOOF as a way of volunteering at various farms that were being run by people who had moved out of the city.
The photos are quite extraordinary and definitely worth a look.
I’ve put together a little selection of some of my favourite tracks of the year, featuring what ended up being an even split of tracks from North and South America, with a couple from Britain and Australia thrown in for good measure. So, if you want to find out what my 2016 was like, it was something like this:
I’m very happy to announce that the fourth Sounds and Colours publication is now here. This one focused on Argentine culture, with lots of great articles about underground movements and influential artists, as well as original illustrations, comics and photo essays. As with previous publications I was the editor and worked with a great team of contributors from all over the world putting this one together, our own cultural guide to Argentina.
The Wire published an interview I made with Elza Soares in one of their latest issues, #393. Elza, who’s now 79 years old, was one of the hardest people I’ve interviewed, largely because she distrusts the press (as the Brazilian press have been horrible to her over the years).
However, through my interview and through additional interviews I made with musicians who played on her last album, The Woman At The End of the World, I think I managed to put together a really strong piece. If you want to know why people are so blown away by her latest release, then have a listen to this:
Writing and Editing by Latin American music expert Russell Slater