I’ve put together a little selection of some of my favourite tracks of the year, featuring what ended up being an even split of tracks from North and South America, with a couple from Britain and Australia thrown in for good measure. So, if you want to find out what my 2016 was like, it was something like this:
I’m very happy to announce that the fourth Sounds and Colours publication is now here. This one focused on Argentine culture, with lots of great articles about underground movements and influential artists, as well as original illustrations, comics and photo essays. As with previous publications I was the editor and worked with a great team of contributors from all over the world putting this one together, our own cultural guide to Argentina.
You can find out more about the book at soundsandcolours.com/issues/sounds-and-colours-argentina
The Wire published an interview I made with Elza Soares in one of their latest issues, #393. Elza, who’s now 79 years old, was one of the hardest people I’ve interviewed, largely because she distrusts the press (as the Brazilian press have been horrible to her over the years).
However, through my interview and through additional interviews I made with musicians who played on her last album, The Woman At The End of the World, I think I managed to put together a really strong piece. If you want to know why people are so blown away by her latest release, then have a listen to this:
So last week (Wednesday 26th October) we launched a night that could become a regular thing in London. It was our first collaboration with Battersea Spanish and Doodle Bar for an evening intended to transport everyone to Mexico, and it was a huge success with the event being sold out and everyone seeming to have a great time. Fitting in with the Mexico theme we screened the classic film Like Water for Chocolate, served up some really nice Mexican food via the street food caterers Tamales, played some Mexican tunes and topped it all off with a Skype Q&A with the film’s author Laura Esquivel, which went down a storm with the crowd (there’s a shot from the Q&A below). It was a great night, and hopefully we’ll get the chance to repeat it soon.
Stephanie from Battersea wrote a really nice blog post about the event which you can read here.
I recently got asked at very short notice (well two days notice to be precise) if I could lead a musical tour around Colombia for Songlines. The answer was of course “yes!” so from September 12th until the 22nd this year I was in Colombia, passing through Bogotá, Medellín and Cartagena with a group of six Songlines readers on a journey into Colombian music. It was a great trip with time spent in San Basilio de Palenque (discovering the first free slave community in Latin America), Merlin Productions (THE production house in Medellín these days, home to Puerta Candelaria and Maite Hontelé), Matik-Matik (where Mario Galeano gave an expert talk on the history of Colombian music), Plaza de Bolivar in Cartagena (a great place for watching cumbia and mapalé on the streets), on a graffiti tour of Comuna 13 in Medellín (thoroughly recommended) and a whole lot more.
Hopefully Songlines will be running another similar tour in 2017. Fingers crossed for that one. If you want to find out more about the last tour have a look at songlines.co.uk/music-travel/tours-festivals-2016/colombia.php. And if you have any questions about how this one went feel free to give me a buzz.
It seems the BBC must have my number as I was asked to do a short segment on tropicália for their Sunday morning current affairs show Broadcasting House last Sunday (August 14th). You can listen to the show at bbc.co.uk/programmes/b07nn832 (my chat starts just after 56 minutes).
Hey, so recently I was interviewed by BBC Radio 1 for a special they were doing on hip-hop in Rio de Janeiro. You can listen to the show at bbc.co.uk/programmes/b07mvwnc. I feature in the first 20 minutes discussing how rap got big in Rio and also sharing some knowledge on Gabriel O Pensador, one of the first rappers from Rio to make an impact both nationally and in Portugal.
I’m looking forward to hosting a talk at Rough Trade Nottingham as part of Truth and Lies‘ latest event, a celebration of Brazilian music, especially those revolutionary years at the end of the 60s. The event is called Revolution & Change: São Paulo 1969 and should be fun. I’ll be talking about the history of tropicália, pulling some interesting stories and facts out of the vaults, as well as looking at its enduring impact.
The event will be happening on Friday 27th May. There will be short films, followed by my talk, then lots of killer Brazilian tunes and dancing. If you’re in Nottingham you should pop by…
An article I wrote for The Wire’s regular Global Ear column, focusing on the underground music scene in Lima, has been published in this month’s issue (#379). The piece looked at the reissuing of albums from Peru’s avant-garde in the 70s (namely Miguel Flores, César Bolaños, Arturo Ruiz del Pozo and Édgar Válcarcel) as well as new artists including Pauchi Sasaki and Liquidarlo Celuloide.
The issue is available here.
Very happy to be releasing the third publication from Sounds and Colours, a new book focusing on Peruvian music and culture. As with our previous titles this one includes a CD. However, as an interesting new addition we’ve included a DVD with this one, a collection of short films made by French film-maker Vincent Moon capturing Peruvian folk music.
I wrote a number of pieces for the book, as well as curating, editing and publishing it.
You can find out more about Sounds and Colours Peru by following this link: soundsandcolours.com/issues/sounds-and-colours-peru