It seems sometimes people read things. This I know because I just got sent an email from a PR company promoting the new record by Tracy Shedd (who I’ve never heard of by the way), a singer who has just covered Sonic Youth’s “Teenage Riot” with the help of Howe Gelb. They contacted me because I published an email Howe sent me a couple of months ago. So, as the track is pretty damn grand and I’m awash with excitement that my blog has been filed in the ‘G’ section of someone’s cabinet I figured I would post the track. Here goes…
So, after trying to work out who the hell Family Atlantica are (the answer was a rather good band) for the October issue of Songlines, this month I can be found in Songlines once more, though this time talking a whole load of nonsense about new Latin American psychedelic music. Of course, if you happen to be interested in new Latin American psychedelic music you will soon discover that nonsense = gold (don’t get greedy though, there’s plenty to go around).
The people at Songlines can confirm that I ain’t lying to ya! – songlines.co.uk/world-music-news/2013/10/novdec-2013-issue-of-songlines-96-is-now-on-sale
On October 1st (that’s tomorrow!) I’ll be doing a talk about Colombian music and culture at the Colombian Consulate in London, which has been arranged by The Anglo-Colombian Society. I’ll be talking a lot about music trends in Colombia, as well as a bit about modern art, comic books and film. If you’re in London and want to learn more about Colombia then you should come along!
Here are all the details: consuladocolombia.net/evento/the-anglo-colombian-society-russ-slater-colours-and-sounds-of-colombia
For once the tables were turned and I was the interviewee for a piece in Marcelo Costa’s rather good Scream & Yell blog. Marcelo wanted to know a little more about Sounds and Colours and why I love South American music.
You can read the interview here.
I was given the opportunity to write a feature on the rather fine English/Venezuelan/West-African band Family Atlantica for issue #95 of Songlines, which you can find out more about here.
Have a listen to Family Atlantica below:
I’m currently writing an article about new Latin psychedelic music and found out that none other than Howe Gelb (of Giant Sand fame) had recently discovered chicha (aka Peruvian cumbia) and had written a few songs on his last album that were influenced by chicha. [In case you're unfamiliar with chicha, it's a style of cumbia that came to life in Peru in the mid-60s when groups started using electric guitar (with a ridiculous amount of home-made effects pedals) as the lead instrument. Opposed to sounding like the average garage or psych bands the chicha musicians were seasoned pros and so added a preciseness and inventiveness to their guitar-work that goes way beyond the average rock lick].
So, curious as to how Howe Gelb had picked up the chicha bug I sent him a load of questions. He didn’t answer any of them, but he did send me the story of how he found chicha. Here it is in full:
allow me to illuminate .. . whilst i ruminate
i am a coincidentalist .. that is, one who can read coincidences and determine the direction they are pointing me without being bogged down by the endless guesses of their meanings
it happened like this ..
a berlin festival asked giant sand to perform
they requested we bring 3 guests from the region
the region i would surmise would be the sonoran desert
i chose 3 young inspiring young men with mex-american lineage to best reflect said region
(in the meantime i had been writing some new songs for whatever the next record would become and was unhappy with the rhythm they had .. they needed more buoyancy and i was tired of the obvious beats i had instilled in them )
we were never able to rehearse with a complete band for berlin because many of us were scattered all over the globe
the first moment we could all play together came about live on stage during the performance that night in berlin
it went like this …
we all landed in berlin from various parts of the world including arizona, denmark and australia
first coincidence was that one of my sonoran guests, brian lopez, requested to invite his 2 piece string section for his part of the gig
it was when we were gathering in berlin that we discovered his string section was from the same town in denmark as the rest of my band
he had no idea
i had no idea
they had no idea
we all tried to go over a song together for sound check but there was no time cause the sound man was overwhelmed with having our usual 5 piece band augmented with my 3 tucson guests and the 2 piece string section
so we only got a line check
then it went like this … .
the promoter now informed us we were to play a total of 3 hours
had no idea beforehand how or what he really wanted ( i have no manager to explain these things )
so we made a quick game plan … the 3 guests would start off the night playing their own songs and we would then segue after 45 minutes into our set and play the remainder of the night .. no problemo
the tune we chose to segue on was something brian had tossed out there .. “carinito”
but when my drummer kicked in .. . it became a celebration of rhythm .. peter had been school in the danish music conservatory where they tend to master many global forms of music and i never heard him tackle a rhythm like this before … but he exploded with it
the set and the new band were both born in that moment … . and that baby had a cumbia pulse
the sold out crowd went nuts
and so did we
the band was now a 10 piece
that was july
the days afterward brian explained where that song came from .. that someone on the road had gave him a compilation cd of peruvian chicha from the 60s about a year ago … . he forgot all about it … he’d never listened to it until recently .. and it blew his mind
then came october and another festival in switzerland
the promoters allowed us to assemble the big band again for the second time ever
now the band was a 12 piece
and there i began trying out that new type of rhythm somewhere inside the new songs i had been working on
and it worked incredibly well
we went into the studio the next day there in vevey to see what we could hear
we recorded 4 songs and one of them was “detained” which greatly benefited from the chorus being soaked in a cumbia rhythm
and then something called “slag heap” (apparently the british definition of slag is different than ours .. ours means to give somebody a hard time or to put something down as not being worth it .. almost like an insult .. or to down play it so it doesn’t seem so bad )
after that festival … i didn’t receive the mixes of those vevey recordings until sometime in november .. and when i did it blew my mind
we sounded great
that new beat was infectious and exactly what the songs needed
then this happened .. .
i had accepted the invitation of a montreal band to come there and record with them .. .
when i was finally able to go it was later in november .. and my flight from arizona had me connecting too late in new york to continue on to montreal till the next morning .. so i would have to spend the night in new york
the night i arrived there was a monday .. and i had contacted my friends at the last minute who lived in brooklyn to put me up for the night
i met up with them for dinner .. and afterwards while we were walking to their house they suggested we might have beer near their house
sounded ok to me ..
and the bar was very very tiny … and apparently only on monday nights they had a live chicha band
and so we went in .. had one beer .. and the band began .. there were 7 in the band and less people watchin them
they were great .. and that beat was driving me crazy in the best way
we stayed for their entire set .. .and i was leaving the bar .. the voice in my head insisted i go back and tell the band leader how good they were
it was olivier
it was his bar
i did not know him at all
but before i slipped away .. i mentioned i was from tucson
and that’s when he said .. ah there was a band here from tucson a while back with a french woman singing (marriane dissard) ..
oh yeah i know her .. said i (.. infact that was how i met brian … one night a couple years earlier when he was playing in her band and they happened to open for me in germany one night ) .. and i asked him if brian had been playing with her that night here
he said yes he’s remembered him .. he then added .. and i gave him a compilation cd my label just released of peruvian chicha from the 60s
how many coincidences can one man handle ?
in december we gathered as a band to record “tucson” at what now was GIANT GIANT SAND … and the cumbia beat found its way into several more songs: the bridge in “forever and a day”, all over “undiscovered country” .. there at the end of “lost love” .. its all over the place
we couldn’t control it any more .. it was controlling us
Howe Gelb’s next record will be called, not uncoincidentally, The Coincidentalist.
It’s been a while since I posted on here, but I figured the fact that I’d interviewed two quite amazing people last week was well worth a mention on this here blog.
First off, I spoke to Michael Chapman, an incredible folk rocker from Yorkshire who has been around since the 60s and is still making incredibly dense and interesting music. You can read my interview with Michael Chapman at The Quietus here: thequietus.com/articles/12964-michael-chapman-interview.
On the flip side I interviewed the really quite legendary Gilberto Gil for Sounds and Colours. We talked mostly about politics and the relationship of politics and socialism to music, though I did ask him a few questions that will rear their heads in other projects. You can read my interview with Gilberto Gil at soundsandcolours.com/articles/brazil/music-is-pleasure-an-interview-with-gilberto-gil.
On Saturday 23rd March Sounds and Colours will be holding a big party in Matik-Matik to celebrate the launch of the Colombia book.
It’s taken a good couple of weeks to organise and is looking pretty damn good. There will be two live bands, Andrés Gualdrón y Los Animales Blancos and Carmin Duo (Carolina Cortes y Juan David Castaño), representing two generations of music-makers in Bogotá. Additionally, La Blanquita Farm will be DJing what he calls “exquisite tropical tunes” during the night. Of course, the Colombia book will be on sale too! It should be a cracker!
If you are likely to be in Bogotá on Saturday you should come along. Full details are on the link below…
So, after the Sounds and Colours Colombia book launch in Bogotá, someone asked me to answer a few questions. The result was this interview, talking about the book and Colombian music in general, for the blog Revista Sono.
As part of my recent tour of Colombia promoting the Sounds and Colours Colombia book I did an interview for Fonoteca, a cultural research arm run by the Colombian goverment. Answering some of the hardest questions I’ve ever been asked in Spanish regarding how the Internet is affecting the memory of Latin America, perceptions of Latin America abroad and many other delicately-put questions, here is what happened: