Album Review: Blubell – Eu Sou do Tempo que a Gente se Telefonava

This album review was published in Time Out Sao Paulo (March 2011) though may have appeared in a slightly different form.

Album Review: Blubell – Eu Sou do Tempo que a Gente se Telefonava
(4 stars)

YB Music – Released: 21st January 2011

It’s taken Isabel Garcia (aka Blubell) five years to follow-up her first album Slow Motion Ballet, yet her voice has never been far away in her native São Paulo. As well as singing in the jazz band À Deriva she has featured on countless advertising jingles as well as providing the theme song for the Brazilian TV comedy Aline. None of these things should be too surprising once you listen to this album, a mixture of jazz and pop which is both polished, maybe too much at times, and catchy. It seems those day jobs providing jingles has given her a special gift, as proven by the fact that I can’t get the melody to “Chalala” out of my head. I was so sure I’d heard it before that I almost shorted my brain trying to work out who recorded it first before realising that the whole album is self-penned, with just a couple of co-conspirators helping out on the odd song.

Blubell pulls this trick of instant-familiarity on many of the tracks here, such as the prowling Shirley Bassey jazz of “Pessoa Normal” and opening track “Musica” which despite featuring a kazoo manages not to irritate. Except for the odd flash of bossa nova guitar this is an album more in tune with new British artists such as Paloma Faith and Eliza Doolittle, adding much-needed swing and suave to pop music, than her Brazilian counterparts, yet could well be the sound of the Brazilian summer.

Three We Loved Last Month: Karina Buhr

This short live review was written for Time Out Sao Paulo (March 2011) but was not published.

Three we loved last month: Karina Buhr
SESC Belenzinho
Feb 11, 2010

Dressed in a gold-sequinned catsuit, Karina Buhr proved at SESC Belenzinho why her debut album (Eu Mentí Pra Você) was voted so highly in many of 2010’s Best of the Year polls. She did that, and surpassed it. Whether she was sabotaging her guitarist’s solo by writhing on the floor in front of him, throwing herself into the audience or proving that you don’t have to be in your teens to bump ‘n’ grind like the best of them, it was hard to take your eyes off her. Which is almost a shame as she has put together one of the hottest bands in Brazil. Whether attempting punk in “Soldat,” electro in “Cirando do Incentivo” or cool jazz with “Eu Mentí pra Você” this is a band that know, both musically and theatrically, how to put on a great show.

Preview: Moraes Moreira

This preview appeared in Time Out Sao Paulo (March 2011), although it may have been in a slightly different form:

Preview:  Moraes Moreira

With Moraes Moreira playing three nights at SESC Pinheiros and the national release of the film Filhos de João, March could well be the month of Os Novos Baianos. The last few years have already been something of a revival for the band, with Rolling Stone Brasil naming their 1972 album Acabou Choraré the Best Brazilian Album of All-Time and the Moreira-penned A História dos Novos Baianos e Outros Versos resulting in a reunion tour and CD. Moreira, who in the 60s was writing songs in Salvador and regularly hanging out with Caetano Veloso in the city’s bars, was one of the founding members of Os Novos Baianos, achieving huge success in the 70s once Acabou Choraré, their second album was released. The album saw the band adopt a unique mix of chorinho and samba after bossa-king João Gilberto turned up on their door-step (the album was originally going to have an electric/rock sound). This incident is the reason for the name of a new documentary about the group; Filhos de João, which is being released nationally this March. Moreira left for a solo career at the end of the 70s, essentially signalling the end of the band, and its many of the songs from this era that he will be playing at SESC Pinheiros, as well as launching a new book that looks at this period of his life.

Moraes Moreira is playing at SESC Pinheiros on March 11th (9pm), 12th (9pm) & 13th(6pm). R$30/15/7.50.

Filhos de João, Admirável Mundo Novo Baiano is in cinemas nationwide from March.

The birth of What Slater?

The time has finally arrived for What Slater? to take it’s first tentative steps into this world. Over the past two years I have written more and more and slowly improved my craft. Thankfully this has opened a few doors and led to my first articles published in print magazines, as well as simply, what I hope, is better quality in my writing.

At What Slater? I will be adding articles that I’ve written for other publications as well as adding a few notes, some things where there currently is no home but which maybe there should be. These will be little snatches of information or pictures or videos that simply don’t have anywhere else to go. Hopefully it will be a trip.

As I write this I can tell you that I currently spend most of my time working for Sounds and Colours and JungleDrums, as well as working on occasional articles for Time Out Sao Paulo, PopMatters and Latinoes. I am also currently working on articles for a couple of British magazines, which will hopefully result in my name being in print in my home country for the first time – I’ve currently only been published in Brazil.

There we go, all I have to do now is get some interesting things up on the site. I’m not sure why I’m still writing this as I’m pretty sure no-one’s even got this far, but I simply can’t stop. That is until now.

Writing and Editing by Latin American music expert Russell Slater